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圍繞在男主身邊的幾條線有些凌亂，一時找不出需要將它們通通交代的理由。硬要說的話，大概只能是在電影最后出現(xiàn)的“愛”與“傻瓜”來作為幾條線的共通和聯(lián)絡(luò)。

最懂年輕一輩喜歡看什么 才能在新時代勝出 知我咩料啦！

前幾年還在看這個動畫片 出的這個電影也是真的不錯 我的童年

深奧的簡潔；Living on a wall where everything is so simple for 19 days. we were going to miss this experience. 這電影和和#有熊谷守在的地方#一脈相承異曲同工心意相通，一個極靜，一個極動，一個方寸之間，一個縫隙之處，行行出狀元，各行業(yè)最頂尖的心性都是藝術(shù)，最高的藝術(shù)境界意味著每個人只能以自己特有的方式全身心的投入：Focus and objective, breathe and practice, dream big and do small. Somebody less gracious than Tommy Cidwoll might have said, "I've got to go on without you". but he was committed to Kevin" we're doing this together" . And he wouldn't have been Tommy if he'd done it any other way. You have to do in your own way. you have to live in your own way. This is it, this makes you special.

狗血又單薄的茶番。三十年同妻轉(zhuǎn)眼支持老公男男結(jié)婚，上級跟蹤狂般騷擾下屬??最后兩集男主根本誰給他打掃衛(wèi)生做飯就行，日本對婚姻兩方角色根深蒂固的傳統(tǒng)思維可見一斑。男主很渣 部長也很渣 真看不出什么糖和曖來。說白了就是直男癌編劇消費同性少數(shù)群體題材 隨便哪個劇情橋段換做現(xiàn)實無論男男/男女/女女都該挨好頓揍。